Doctor Who: The Black Guardian Trilogy

After a very unnatural and forced conversation in which shouty Tegan might as well have turned to the camera and gone “Previously, on Doctor Who…”, Peter Davison, looking as though he’s thinking “right, home by half ten, don’t think too hard about this” speaks some technobabble and the TARDIS is caught in between two opposing Time Zones – neither of which make much sense. 1983, clearly because well, contemporary works, doesn’t it, and, em, 1977, just before the Brigadier joined UNIT, sees him retired from, er, UNIT, and working in a, um, School For Boys as a Maths teacher. Meanwhile a group of aliens with Welsh names (or maybe Latin, it’s hard to tell) have managed to evade Capitol Guards, break through the Transduction Barriers and swipe some regeneration technology from the Time Lords. Ok then. You keeping up… so, we have, a school boy – who’s really an alien trapped on Earth, employed by the Black Guardian to off the Doctor with a rock or something, TWO versions of a confused looking Brigadier wandering around the set for Every Second Counts and the TARDIS crew caught in the middle. Add to this the alien crew, who regenerate into paper-chain wearing, spag-bol headed floaty likes and you have an absolute mess of a story.

It doesn’t hold up in the slightest. The plot is pointless and makes no sense, the Time Zones are off by so much it’s criminal that any of the production team didn’t clock it, Turlough – played by Mark Strickson who goes on to have a jolly old laugh about it all – is OTT, hammy and thoroughly unbelievable and Sarah Sutton and Janet Fielding look like their characters have suddenly taken stupid pills. Add to this a Nicholas Courtney who really does himself, or the Brigadier no favours with lots of “pondering” and this is a difficult story to recommend. It’s good for curiousity value, if nothing else, and Peter Davison is always very good value, but don’t expect a coherent story. Direction is flat and all a bit meh, lighting is awful – but curiously shows how it COULD have been – and the cast are clearly going through the motions, with the exception of Strickson who is really trying a bit too hard. Mawdryn Undead, for that is what it is called, is not a classic Who tale by any means, in fact the whole thing comes across as a production crew going “Ach, that’ll do…”

Following this is Terminus and this is, to be fair, an adventure with more a coherent thread that the previous one. Sets though look like they’ve been dragged out from A Nightmare on Eden and again the lighting department and costume lets it down. “Space Pirates” with blown up condoms for helmets and the “terrifying” Garm clearly aren’t what was in Stephen Gallaghers mind when writing it and, of course, there’s what to do with murderous Turlough. Em, look him under the floor… This is a better story that Mawdryn Undead, but is bonkers at times too – slow motion fighting, the Garm, Nyssa’s sudden cleavage-showing and shedding-of-clothes and sudden decision to stay. Modern Who is criticised a lot for its “soapy” way of ridding the Doctor of a companion, but I’d rather have the emotions of Donna or Rose than the bland “last minute” decisions of the older companions.

Completing the trilogy is Enlightenment, and it is the best of the bunch. A wonderful concept – Eternals, bored and listless in a race through the stars – and some fabulous design, it makes one frustrated as to why the previous two stories weren’t given so much attention to detail. With the exception Leee John and Lynda Baron as the pirates, ooo aaaar, the cast is uniformly good, and the denouemnent makes perfect sense for once. In a story where costume is everything, however, the Black and White Guardians bird-headpieces are just plain daft.

The boxset itself is excellent value. Packed with commentaries, little featurettes and three substantial documentaries, it shows the cast and crew were really up against it during the filming of these stories, both under the constant interference (?) of JNT, budget, time and a script editor who’d clearly gone “fuck it, that’ll do…”. Another rewrite or two, some discussion with the lighting and costume designerrs and these stories might have worked better. The cast make a wonderfully witty and self-afacing commentary too, and show that, like us, it helps not to take this too seriously. My only gripe is the narrator of the documentaries – kids favourite and SJA guest star Floella Benjamin OBE – who seems to be speaking with a constant smile on her face, puts weird emphasis on certain words, punctuates oddly and who, as my own personal bugbear, pronounces “Dalek” and “Dalik” and Cyberman and “Cybermn” as though they were Jewish.

Despite my moaning, this is a decent boxset and worth it for Enlightenment – and an oddity of a Special Edition re-edited/new effects version too – and the extras alone. Just, when you watch Mawdryn Undead, just don’t pay too much attention…

Doctor Who: The Architects of History- Review

I won’t go further into the story here, as it would ruin it, but I will say that this is a play of epic proportions, equal to that found in BF’s Dalek Empire story The Apocalypse Element. Anyone expecting to see a remorseful Klein will be suprised by how her predicament is resolved, but I think listeners will also possibly feel quite saddened. I never thought I’d feel sympathy for any Nazi character, yet for Klein I do. She is a victim of the Doctor’s deeds and it’s clear she really believes in what she is doing. But under all that, there is a underlying saddness to the character as she knows she can never really return home.

The only criticism I have of this play has to be the Selachians who are quite generic: it would have possibly worked better if the Daleks were to replace them. (The Daleks do get a name drop in the play however). This is not really important, however, as they are mainly used as a device to move on the plot.

What really drives this epic is the quality of the characters and wonderful acting/music. This has certainly been the best Big Finish play of 2010. I’m sorry if this review is somewhat rambling but the fact is there is so much going on in this play it is really quite hard to condense it. This is just one of those plays that works on so many levels, has something for everybody and offers a damn good ending to what has been a wonderful “trilogy of four parts”.


Available now at Big Finish

Doctor Who: Plague of the Daleks- Review

Plague-of-the-Daleks-coverThe final part of the Big Finish Stockbridge trilogy finishes the pattern set by the first two; we’ve had past and present so now its the turn of the future.

The story initially feels like the Android invasion. The locals are present but something’s not quite right and finding out that Stockbridge is actually a historically themed tourist attraction isn’t a major surprise. But the attraction isn’t that successful and years of underfunding and a lack of staff see the place falling to pieces. But something else is lurking in Stockbridge, something nasty and alien and its not to long before the tourists are wondering if this vacation may be their last.

The Doctor and Nyssa spend much of the adventure separated which is a shame as they play off each other very well. The new characters, the staff running the place and the tourists, are nice enough but never seem to be as well developed as the characters in the previous two stories. There are some nice twists with the Daleks and they behave in the usual manner; with tactics from past stories being reused in interesting ways.

The story moves along at a fair pace but even with the Daleks it takes a while to build up a sense of real danger. Davidson is on top form and has some interesting material to work with; Nyssa doesn’t get as much to do as previous stories. The rest of the cast provides adequate performances but none off them really blew me away. Nic Briggs as always delivers great Dalek voices but given his high quality this is something thats now expected. Its very much a run of the mill Dalekstory. If you like the pepper pots you’ll enjoy it but its much more a Dalek tale than a Stockbridge one despite the setting. It does however give Stockbridge a nice send off and if you’ve listened to the first two stories it ends things in a satisfying way.


Available now From Big FInish

Doctor who: Peladon Tales Boxset

Yep, it really is that dull. This story is a none-too-subtle allegory for Britain joining the EU and it holds all the dynamics of a discussion on that. There is little action and the four episodes consist mostly of lots of people standing around talking. The enemies, of course, are not the Ice Warriors, but it won’t come as a surprise who is.

Having said this is a dull premise, it’s actually a very watchable adventure. By no means up there with its neighbour The Sea Devils it is strangely compelling. I’m not sure whether this is because it’s any good, or whether the Peladon tales are some of my first memories of Who and therefore can do no harm. Everything is very slow, however, and the tale flip flops from the Doctor being believed, and sentenced to death, then believed again. Add to this some odd character traits, some leaps of faiths and more holes than a holey thing, and this shouldn’t really work.

I enjoyed it though. David Troughton’s King Peladon is earnest and true and the best thing in it, if you don’t count Alpha Centuri, and Katy Manning manages to make Jo the cutest thing ever. This is quite a departure for the format of the time, with no UNIT or secondary cast like the Master, and it’s curious to see that, really, this is the first time that Doctor/One Female Companion template which works even today was tested. Jon Pertwee sails through the whole thing slightly too comfortable in the role, but nonetheless a commanding figure. The Ice Warriors are clunky and slow, and with only two of them they really aren’t much of a threat. Despite all the things that should be wrong with this, it definitely is worth watching. The lighting is particularly noticeable, as is the model work. Just don’t think too hard about Aggedor!

Two years later, The Monster of Peladon is basically a rehash and reverse of what has come before, the same talky scenes interspersed with a bit of action. This time Brian Hayles decides to allegory the miners strike and to this end a lower cast is developed in the form of the Northern speaking miners. Try not to be offended, there was none intended. Again a mix and match of alien creatures make an appearance, including the infamous Alpha Centuri and again the Ice Warriors, and now Peladon has been replaced by his daughter, Thalira. The switch in gender of monarch basically sign posts every other surprise in the whole thing. It’s curious that the co-star Donald Gee, the devious Eckersley, looks very like Tom Baker!

This story is slightly longer with six episodes, but merits it, as the miners plight makes more sense than the constant debating about Federation membership – and you thought George Lucas thought of it first! There is more action too, and more people, which makes the place look a little more populated, and there are a few more characters, each with a decent motivation. The Ice Warriors of course return, this time as proper enemies and with some very brutal methods. However, the outfits are awful and some of them look really bad. And they insist on dubbing on voices to mouths we can see aren’t moving. Pertwee seems more awake this time round and throws himself into it, maybe a renewed vigour now he knows he’s leaving. Sadly, Lis Sladen’s Sarah is a bit unlikeable, agressive, balshy and a little too “womens lib” to work properly. But, all in all, this is another very watchable adventure, and the faults are outweighed by sheer nostalgia.

The extras are a fine bunch too. Both commentaries, as is becoming the norm, feature Uncle Terrance and the late Barry Letts and both continue to amaze with well recounted tales and anecdotes and memories. Katy Manning joins them in Curse, again being outrageously lovey, doing brilliant voices and, I imagine, lying her arse off! Fabulous. Also joining is the ever modest Chris D’Oyly-John, who’s insight is fascinating. When he get’s a word in. Monster is voiced by Terrance and Barry, along with “body of Alpha” Stuart Fell, Donald Gee, Nina Thomas, Ralph Watson and coralled by Toby Hadoke and makes for a busy commentary, but not everyone is there at the same time. However, it does come across as very crowded at times. Still interesting stuff.

Also on the extras are a touching short “Jon And Katy”, a potted history of the Ice Warriors, story boards, photo gallery, all the usual, as well as a two part documentary on the making of both serials, which, in my opinion, hold the funniest line ever muttered on a DVD, especially by Uncle Terrance, as he does an impression of director Lenny Mayne and his immediate impression of the original Alpha Centuri. “It’s a giant dick!” Uncle Terrance says. I almost spat my coffee out. Genuinely funny.

This boxset is out on the 18th January, and is retailing at £29.99. Definitely worth it.

Doctor Who: Legend of the cybermen review

The Land of Fiction, a quirky and fluid place created and controlled by imagination. Filled with whatever fantastical creatures the controller can think off. Contrast this with the logic driven Cybermen, devoid of emotion and incapable of flights of fantasy. Its an interesting contrast and it gives the story a great starting place. But what happens next was a swerve ball I just didn’t see coming. Once the Cybermen realize they can take advantage of the fantastical nature of the Land of Fiction the story just gets strange and stranger. From the vast variety of Cyber-conversions, whales, mermaids, trolls and Valkyries to name but a few, to the Cybermens tinkering with the fabric of the Land reality. Its a strange story.

Normally with the Cybermen you get a tale of them low in numbers; being cunning and slinking about. Here its war; full on war with maximum conversion. They act like they should and their logical interactions with the world are chillingly efficient and to the point. Having the cybermen fighting against the inhabitants of the land of fiction allows some really odd battles to happen. I’d never have expected to see Count Dracula trying to sink his fangs into the Cybermen. But it works.

The story gets even odder still. Having the Cybermen alter the Lands narrative causing people to start narrating their own actions and environment. This does make the story rather confusing but hell its a lot of fun and its really innovative.

The ending; well its not as wacky or original as the rest of the tale but it gives a satisfying conclusion. Its a nice book end for the trilogy; and now the first 2 tales make a lot more sense. There are a few moments of sadness when you find out whats really going on but they just make the ending more poignant.

Its great seeing the Doctor team up with both Jamie and Zoe. Both actors slip back into their parts with ease. Though its a little odd as Frazer Hines is playing a much older version of Jamie and he acts quite fatherly to Zoe. That aside they are both great foils for Colin Bakers 6th Doctor. Having them with him diminishes his worst qualities and brings his often hidden softer side to the fore.

Its an odd tale this. The music and sound effects combine to produce what feels like the audio equivalent of an acid trip. It will not be to every bodies taste as its far from your regular Dr Who. But for anyone willing to take a chance its one heck of a ride. Just strap yourself in and trust the story and you’ll find yourself taken to places you didn’t expect.


Available now from Big Finish

Doctor who: Dalek War Boxset


Frontier In Space is a cracking yarn. The story is straight forward – two mighty empires – Earth and Draconia – are pushed to the edge of war by the Master who is using a hypnotic device to convince each side they are being attacked by the other when, in reality, they are being attacked by Ogron assault troops controlled by the Master. Dropped into the middle of this the Third Doctor and Jo try to convince each side what is going on, whilst trying to stop the Master – but he has secret allies, and they’re heading his way…

Nothing in this story should work. The action is mostly off screen, the model work is a bit ropey and the story consists of constantly locking up the Doctor and Jo for episodes at a time. However, it’s a testiment to Malcolm Hulke’s script that the narrative pulls the viewer along with gusto. The dialogue is, with the exception of a couple of clunkers, very good,the characters well developed and Jon Pertwee, who at first seems to have phoned in the performance, proves what a laid back and fabulous Doctor he was with some wonderful one liners and a sparkling relationship with a feisty and resourceful Jo Grant. His attempt to escape from Jail No. One – only to be foiled by an approaching guard – is met with a “Oh, how very embarrassing!”. Wonderful!

Although the model work is what you’d expect from 1973, it somehow managed to create a suspension of belief – probably due to the cast playing it absolutely straight – and even a space battle worthy of Battlestar Galactica feels real as the Master attacks an approaching Earth ship. And there is some very good space walking too. Much better than some ten years later.

The triumph though, is the design of the Draconians. Why these aliens haven’t returned to Doctor Who is a mystery. A rich, diverse and realistic culture, they are fabulously brought to life by some wonderful prosthetics, which rival anything done today. A tour de force.

And of course no mention of Frontier In Space would be complete without a mention of Roger Delgado’s final performance as the Master. A bit of a incongruous ending for this incarnation – due to the tragic death of the actor soon after – it’s a real shame he didn’t get a proper send off. However, in this story he’s witty, cool, charming and utterly spinechilling. He talks to the Dctor and Jo as friends, and indeed saves their life occasionally, but has no compunction when throwing Jo into an airlock, or disengaging a ship that’s still attached to an open airlock of another. Genius, from start to finish.

There extras too are fantastic in this boxset. A rather odd, but interesting, pseudo-documentary/fiction discussing the socio-political influences of the serial featuring real interviews, fictional ones from futuristic characters and a narrative, is a weird mix, but fun, and very interesting, and a documentary about Roger Delgado is fitting and very, very touching. Add to that a lively commentary featuring Clayton Hickman refereeing old hands Barry Letts and Terrance Dicks, abley assisted by Katy Manning lying her head off, and it makes for an entertaining and infortmative commentary. All in all, well worth the money on its own. However, we also get…

…Planet of the Daleks. In this story, an injured Doctor sends a message to the Time Lords who send him and Jo to Spirridon, an inhospitable, jungle planet with an ice core, where a Dalek army is experimenting with invisibility and a couple of Thal assault teams are trying to stop them.

This is typical Terry Nation fare, but it’s not bad for it. Nation uses high concepts drive a thin plot, but, hell, he’s Terry Nation! There’s a lot packed into the six episodes, but, like Frontier In Space, one wonders how much better it could have been with todays brutal editing. That’s not to say it’s bad, far from it. The characters are given time to breath, are well drawn and have proper motives. The Daleks too have a typically bonkers and grand ambition, and Jon and Katy sail through with chemistry and aplomb. Episode three, recently recoloured by the restoration team, fits in seemlessly. It really is a wonderful job.

This story has been derided in the past, but I urge people to watch it with an open mind. There is much to recommend it.

The extras too are extensive and fun, with another crazy fiction/fact documentary and a great piece on the recolouring of Episode Three. My favourite though was a hystercially funny collection of Blue Peter articles featuring friend of Skaro Peter Purves, on the trail for two Dalek props that someone had nicked from outside Studio Eight. With a twinkle in his eye, Peter turns roving reporter, aksing a policeman, a witness and a small boy on the where abouts of these Daleks, and, when they are recovered, in earnest, reports on their discovery. The ending, with Peter, John Noakes and Lesley Judd trying to push John Scott Martin up a ramp into a transit van is cryingly funny.

The commentary this time, mistakingly in my opinion, drops Clay for Katy, Barry and Terrance to be accompanied by Prentice Hancock and Tim Preece and, although again it’s a lively and informative discussion (including Terrance being a little unkind to the new series…) it seems to lack the structure of the first.

All in all this is a wonderful boxset with plenty to recommend it.

Doctor Who: Castle of Fear

Don’t let the title fool you, Castle of Fear is rum and raisin and it’s heavy on the rum. If some strange intergalactic anomaly ever caused Doctor who and Monty python to be crossed this would be the outcome. Heck the Holy Grail even gets a name check; as does the Python staples of Knights with OUTRAGOUS French accents. Scenes have not so much been stolen as given homage and while it may cause you to check the box cover to ensure its Doctor Who it’s a lot of fun. I got a lot of strange looks for laughing loudly in a crowded train when I heard the rather cheesy Blacksmith joke but I dare you all not to laugh when you hear it; you’ll know which one.

It took me a while to realise that Casle of Fear was this flavour. It takes until episode 2 before you can be sure as it does tend to veer a bit in tone. The opening is brilliant and catches you off guard; the ending is truly shocking. And there are some nice who staples; multiple time zones playing off each other in what I think is a unique and interesting way ( I’ll probably be corrected about this)

The Baddie is a named who villain. I’m not going to spoil it but it’s not a major league player but it was a nice return. The only minor grip is that its voice makes you think of another villain. Not the production teams fault. It has a very distinct on screen look which helps the voice seem different on TV and the audio doesn’t have this advantage. The threat is also nicely integrated into established who lore.

What is it about then? Well it’s hard to give to much away but it’s a historical. We’re drawn into the story of Hubert, The new Earl of Mummerset, trying to regain his Castle. With his Turkish aid he may at first seem a bit Robin Hood but that doesn’t last for long; Hood only had to deal with an evil sheriff. Hugo finds he needs to evict a bunch of Demons from his Castle. While this is going on the Doctor and Nyssa are hundreds of years away, enjoying a traditional Stockbridge Christmas play. But when the Dragon slays St George it’s only a matter of time before they have to cross Hugo’s path…

The music does a good job of setting the scene and the sound work is excellent. The actors certainly enjoy themselves and while some of the support performances are a bit OTT it works rather well. It’s also a nice touch that we have the same actors playing their characters descendants over time zones. This works really well as the story comes to a close. Davidson and Sutton work really well together. Nyssa works much better as a companion when she’s one on one with the Doctor and its nice to see both of them giving top notch performances; even as the tone of the story jumps around. When the danger is there the sense of fear and urgency is conveyed very well but both of them are happy to go with the flow when things turn comical. Nyssa also shows she’s not just a Damsel in distress and is very proactive in the resolution.

This is the most fun I’ve had listening to an audio in a long time. While I normally enjoy them I had a constant smile listening to this tale. It may not be for everyone; its Monty Python trappings could annoy people wanting a more serious tale. But this story has a lot going for it and while it’s light in tone the ending certainly isn’t and should catch you off guard.

A recommended 8/10

Available now from Big Finish

Doctor Who: A Thousand Tiny Wings- Review

I mention Colditz because while this isn’t a sequel it does involve a returning character from that story. Klein, played by Tracey Childs, is a Nazi scientist from a future where Germany won the war ( with a little forced help from the Doctor). Thankfully the Doctor sorts it all out and the future with Truth, Freedom and Apple Pie wins the day; but Klein ends up trapped here. Cursed not only with living in defeat but also tormented with the memories of the future that was snatched away from her. Stolen by the Doctor. Now she’s face to face with the doctor but revenge may have to wait. Somewhere a thousand tiny wings are waiting and only the Doctor may stand between Klein and a death of a thousand cuts.

The story is set in post WWII Kenya; during the Mau Mau uprising ( On a remote farm a small group of women have taken refuge from the violence that is tearing Kenya apart. But its not the Mau Mau who intrude on their solitude as an injured alien and the Doctor cross their paths. Things then take a turn for the worse; something has injured the Alien, covering him in a thousand tiny cuts. Once the attack happens again,with fatal results, its clear that there is another alien presence lurking. What will get them first, the Mau Mau or something far worse?

Its a very atmospheric setting and the story really evokes the period, right down to the backwards colonial attitude that seems so jarring today. The women all have low opinions of the natives and the story never sugar coats how life was back then. Heck Plan A was to wait for the army to show up and shoot them all. The music and sound work help to drop you back 50 plus years and you almost feel that you’ll get a tan from the hot African sun as it beats down.

Its an engaging story and while it may seem like a typical base under siege the plot has some great twists. The character interaction also elevates this story. Tracy Klein slips back into her smooth but fanatical Nazi with ease and she more than holds her own against the doctor; as they verbally spar over both beliefs and methods. And for once the Doctors are not only challenged but at times shown to be lacking. Its brave of the story to show that the Doctors faith in people is sometimes badly misplaced and its others who suffer.

The only weak spot for me in the story is the eventual monster reveal. The monsters are very unique and quite interesting. Its hard to view them as the scary force that they’ve been built up as though. Their motives are also a wasted opportunity as it would have made more sense if they had a direct Nazi analogy; especially with Klein being such an important part of the story. Its thankfully just a small part of the story as the reveal happens very late on and its not truly that important. It certainly doesn’t diminish the story which makes the most of a great cast, strong atmosphere and brisk pacing.

I’m really looking forward to the next set of tales involving Klein; this story just leaves you wanting more. This is the first companion in a while that not only holds her own against the doctor but also takes the fight right to him. Oh and she wants to kill him after forcing him to recreate her evil Nazi future; she really makes Turlough look like a rank amateur.

4.5/5 They don’t get much better than this.

Doctor Who: The Twin Dilemma

There is little to recommend The Twin Dilemma, it has to be said. Whilst looking for positives in this story – a post-regenerative Doctor and Peri stumble on an “exiled” Time Lord who’s planet is under invasion by some men in false-faces and wrapped in duvets – I really struggled.

Colin is good, I have to say, his flip-flop behaviour is cleverly done and when he’s being charming he’s being very charming. But he’s saddled with some gawd-awful decisions. The coat, for one, the length of the TARDIS scene at the start, the failure to “let’s just get on with it”, and Peri is a lot more whiney than previously.

Gavin and Andrew Conrad are easily the worst actors to ever appear in Doctor Who and it’s hard to realise that Dennis Chinnery is the same man who starred in Genesis of the Daleks.

Again lighting and costume let this story down – and then some – but the writing, the editing, the performances (with the exception of Colin and Seymour Green as the wonderfully camp Chamberlain) are flat. There IS a story in here, a back story, a culture, the seed of an idea. But the application is very, very bad.

The DVD itself is also a little lacking in “specials”. No big doc, but a small one with Colin discussing his costume and that of the other Doctors and, for once, Chris and David get a mention!

For a story so gawd awful, 2Entertain should really have ramped up the Extras on this, to make it more appealing. However, I suppose it will help complete your collection, and, if you get some friends round, crack open the beer and put it on, it’s better than karaoke. Just.

Doctor Who the lost stories: The Song of Megaptera

Lets start of by saying the overall message is as you would expect: whalers bad, greenies good(ish). It’s a less than subtle subtext but thankfully it stays in the background and doesn’t dominate the story. There is a nice subplot with a fungal techno shaman which adds tension through the story and the shaman is a pretty interesting character with one of the best alien voices in a while. The whales are more of a backdrop, in some cases literally, to the story which makes sense as they are to big to directly get involved. The story follows what seems to be the very rigid template for these missing stories. The Doctor and Peri turn up; get separated; get back together; bicker a lot and finally save the day. Its a good formula but it would have been nice to see a bit more of a shake up.

I wasn’t expecting to enjoy this but I was pleasantly surprised. I’m one of the few who hated The Green Death and I tend to enjoy less stories that take on a preachy condescending tone. But while the whalers are a bit two dimensional they are a lot of fun. John Banks has a great time as the computer who’s personality gets switched multiple times; settling on a psychopathic game player who rattles forth l33t speak. Yes it’s silly but it raised several smiles and the injokes for gamers sit unobtrusively in the background. The Captain (John Benfield) seems to be predictable. An old salty sea dog who’s got one last chance to make it. A self made man who, after working his way up the ranks, isn’t going to get stripped of his captaincy without a fight but even he has a few twists and surprises.

There are a few misfires; I thought the quirky cultists didn’t work all that well and I’m mixed about the two bumbling crew members. It’s been done before in Warriors Gate and in that story they got the balance right. Here the dumbness is too often overplayed, trying for a cheap laugh. But they work well when interacting with Susan Browns Cheif Engineer, she plays off them well and her characters despair at being lumbered in such an idiot filled environment had me chuckling on several occasions.

It’s a fast moving tale. After last months bleak and oppressive drama its a refreshing change of pace. It’s comedy and not farce and the timing is fortunate as in many ways it gives a back story to the star of The Beast Below. Worth a listen though not a classic.


Available now from Big Finish

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